The Ghosts of Hamlet
Around the myth of Hamlet, fragments of lost and found operas
Giuseppe Carcani
« Segui ad amar costante »
From l’opéra Ambleto (Venise, 1742)
Francesco Gasparini
« Cinto d’amiche rose un dì crescea »
From l’opéra Ambleto (Venise, 1742)
Francesco Gasparini
Sinfonia en 3 mouvements
From l’opéra Ambleto (Venise, 1742)
Georg-Friedrich Haendel
« Tu indegno sei dell’allor »
From l’opéra Ambleto (Londres, 1712)
Giuseppe Carcani
« Più fido non poss’io »
From l’opéra Ambleto (Venise, 1742)
Francesco Gasparini
« Nella mia sfortunata prigionia »
From l’opéra Ambleto (Venise, 1705)
Domenico Scarlatti
Sinfonia en ré mineur
Domenico Scarlatti
« Nella mia sfortunata prigionia »
From l’opéra Ambleto (Rome, 1715)
Carlo Francesco Pollarolo
« D’ire armato il braccio forte »
From l’opéra Ambleto (Londres, 1712)
Francesco Gasparini
« Stelle voi, che de’ regnanti »
From l’opéra Ambleto (Venise, 1742)
Johann Adolf Hasse
Sinfonia en sol mineur (Édition de Paris, 1740)
Giuseppe Carcani
« Son sdegnato e son geloso »
From l’opéra Ambleto (Venise, 1742)
Francesco Gasparini
« Tromba in campo e spada in guerra »
From l’opéra Ambleto (Venise, 1742)
Roberta Mameli, soprano
Le Concert de l’Hostel Dieu
Franck-Emmanuel Comte, harpsichord and musical direction
Paolo Vittorio Montanari, musicology and edition
On stage:
1 soloist, 14 instrumentalists (strings, oboe, bassoon, theorbo, harpsichord)
The legend of Prince Hamlet, first told in Saxo Grammaticus’s Gesta Danorum, is the basis for Shakespeare’s famed tragedy, but in the 18th century, the same tale inspired numerous Italian operas. Sadly, these operas have an important point in common: they have all been lost! Musicologist Paolo Vittorio Montanari has worked meticulously to research and reconstitute these works, making possible the creation of a completely original new project, based on musical fragments rediscovered in different Italian libraries. These long-lost scores composed by Scarlatti, Gasparini, Carcani, and Vignati focus primarily on two female characters from Hamlet’s orbit: the romantic Veremonda (who Shakespeare named Ophelia) and Gerilda (Gertrude), Hamlet’s mother, who is torn between love for her son and passion for her cold and unfaithful husband.
Roberta Mameli, a charismatic and passionate soprano, interprets these different figures who inspired Scarlatti and his contemporaries to write expressive, brilliant and charming arias. As well as the pleasure of discovering these completely new musical gems, this project will transport you into the exciting, ambiguous and fascinating world of Hamlet, whose ghosts will enliven this lovely stroll through a rediscovered baroque Italy.
THE GHOSTS OF HAMLET ON VIDEO
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LISTEN
With the support of the Italian Cultural Institute and SPEDIDAM.
CALENDAR
CD recording in April 2024 for Arcana/Outhere
Album release: 28 February 2024, on pre-order here
North American tour: March 2025
Europe and USA tour: May 2026