Bach on the beat
Bach on the beat
J.S Bach, Praeludium, extract from Suite No. 1 for solo cello (BWV 1007)
J.S Bach, Aria from the Goldberg Variations (BWV 988)
J.S Bach, Praeludium for Lute (BWV 999)
C. Walker-Viry, Chorale, extract from Fragments after the chorale ‘Jesus meine Freude’ (BWV147)
A Vivaldi, Allegro, extract from the Cello Concerto (3rd movement, RV 419)
J.P Westhoff, Imitatione al Campanella, extract from Sonata no 3 (3rd movement)
D. Chalmin, Another song
C. Walker-Viry, Minuet, extract from Fragments, based on Minuet 2 from Suite No. 1 for solo cello by J. S. Bach (BWV1007)
C. Walker-Viry, Praeludium, extract from Fragments, after the Praeludium for harpsichord by J.S Bach (BWV 847)
J.S Bach, Sarabande, extract from the French Suite No 2 for harpsichord (BWV 813)
J.S Bach, Courante, extract from Suite No. 1 for solo cello by J.S Bach (BWV 1007)
C. Walker-Viry, Allegro, extracts from Fragments, after the 3rd movement of J.S Bach's Sonata No. 2 for solo violin (BWV 1003)
J.S Bach, Aria ‘Seelenweide, meine Freunde’, extract from the Little Book of Anna Magdalenna Bach
Aude Walker-Viry, cello
André Costa alternating with Reynier Guerrero, violin
Tiko, human beatboxer
Franck-Emmanuel Comte, harpsichord and musical direction
Clément Walker-Viry, composition
Quentin Morichon, sound
A timeless musical dialogue
The project Bach on the beat is inspired by the spirit of JS Bach's instrumental works for solo instrument and offers a resolutely contemporary approach to their musical expression. By combining the sounds of baroque instruments, the hip-hop energy of beatboxer Tiko and the minimalist writing of composer Clément Walker-Viry, the quartet of artists offers a timeless and poetic reinterpretation of JS Bach's music. Augmented and sequenced by a “looping” device, the melodies of the venerable Baroque master come close to the world of electro music, within a resolutely contemporary aesthetic framework.
Bach on the beat reexamines the relationship between historically-informed performance and contemporary creation, asking a question that might seem like an oxymoron: is it possible to make “modern” early music? Or rather: is “adapted” baroque music more likely to attract a broader audience, younger and more diverse, than typical “art music”? It is important to remember that J.S. Bach only ever played “contemporary music”, and that his creative process was shaped by the desires and expectations of his time.
Rediscovering this repertoire’s spontaneity and sharing it is Bach on the beat’s mission! Rhythms, colors, and energy are the highlights of this creative and surprising project which blurs our reference points and crosses boundaries.
PICTURES

@William Sundfor

@William Sundfor

@William Sundfor

@William Sundfor

@William Sundfor
With the support of SPEDIDAM.